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Arrowcraft Textiles: 1930s — 1940s

August 17 – September 9, 2022 | Geoffrey A. Wolpert Gallery

Front right: Coin Purse with Wildflower Pattern, 1948. Designed by Tina McMorran, Woven by Annie McCarter. Back right: [Blue and cream guest towel] c. 1940s. Currently unknown Arrowcraft designer and weaver. Front left: Blue-gray Coverlet with Blooming Leaf Pattern, 1930. Designed by Winogene Redding, Woven by Maggie Parton.

2022-2023 Kenneth R. Trapp Craft Assistant/Curatorial Intern Kelli Fisher explores the early history of Arrowcraft, an important facet of Gatlinburg’s history and the history of Arrowmont School of Arts and Crafts. Building on the knowledge of Arrowmont friend Frances Fox, historian and past apprentice to the Master Weaver for Arrowcraft, she has curated materials from Arrowmont’s collection and archives. Kelli will also be presenting her research at the Tennessee State Museum’s Lunch and Learn program, telling the stories of some notable Appalachian women who worked and shaped Arrowcraft and, in turn, Arrowmont as it exists today.

Opened in 1926, the Arrowcraft Shop continued the project established by the Pi Beta Phi Settlement School of meeting the needs of those who lived in the Smoky Mountains. The shop also allowed Appalachian makers the opportunity to make and sell their crafts for more equitable prices than they could find on their own. Their wares – including handmade baskets, coverlets, and chairs – were incredibly popular, in part due to the revival of the American Arts and Crafts movement, which prized high-quality workmanship.

While Arrowcraft employed diverse craft makers, its main focus was weaving. Partially, this decision had to do with storage – only so many baskets and chairs could be stored in the Arrowcraft shop, while weavings of different sizes and complexities (and varying prices) could be more economically stored. Weaving also allowed for both the designer and the weaver to earn credit, as is seen in the small selection of textiles on view in this gallery. Gatlinburg’s weaving women were highly skilled, and between 1935 and 1945 242 different women wove for Arrowcraft. Within Arrowmont’s permanent collection is a sizeable collection of coverlets, hand towels, window tapestries, aprons, handbags, wallets, purses, coats, and more, collected from the early days of Arrowcraft and lasting until its dissolution in the 1990s. Arrowcraft’s success came from the high quality of the items, as Pi Beta Phi alumnae and tourists for the national park sought to buy from the accomplished women makers.

The success of Arrowcraft’s weaving program encouraged the Pi Beta Phis to expand their craft classes, which in turn led to Arrowmont’s workshops that celebrate craft’s histories, its present, and its many futures. Arrowcraft was instrumental in making both Arrowmont and Gatlinburg the spaces they are today.

This Lunch and Learn event is in-person in the Museum’s Digital Learning Center on September 15th at 12:00 p.m. No RSVPs are required to attend this free event. It will also be livestreamed on the Museum’s website.

Learn more about the Kenneth R. Trapp Craft Assistant/Curatorial Internship here.

 

Mat and Napkin with Greensboro Pattern, 1948. Designed by Tina McMorran; Woven by Rozelia Clabo and Elgie Maples.
[Cream and blue woven textile], 1943. Currently unknown Arrowcraft designer and weaver.

 

 

 

 

 

 

 

 

 

 

 

From left to right: Mat and Napkin with Greensboro Pattern, 1948. Designed by Tina McMorran Woven by Rozelia Clabo and Elgie; Maples Red Coverlet with Seastar Pattern, 1934. Designed by Winogene Redding, Woven by Lula Mae Ogle Green; Navy, and Coral Tablecloth with Chariot Wheel Pattern, c. 1930s-1940s. Currently unknown Arrowcraft designer and weaver; Green Coverlet with Whig Rose Pattern, 1932. Designed by Winogene Redding Woven by Lula Mae Ogle.

 

Detail. Navy, and Coral Tablecloth with Chariot Wheel Pattern, c. 1930s-1940s.Currently unknown Arrowcraft designer and weaver

Detail. Blue-gray Coverlet with Blooming Leaf Pattern, 1930. Designed by Winogene Redding, Woven by Maggie Parton.