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Geoffrey A. Wolpert Gallery
Artist StatementAnchored in the dynamics of human-plant relationships, Becs makes research-based ceramics, performance, painting, and installation. She creates imagery that is assertive and dreamlike by combining ceramics and digital technology. Her performance uses her history to tell stories of non-human entanglements. She creates rules and contexts that use science and emotion in equal measure. Becs oscillates between anthropocentrism and ecocentrism at a time of human-created climate crisis.
In A Year of Apologies, she said sorry to a different plant every single day. The three hundred sixty-five apologies are collected into six artist books. Through apology, we recognize wrongs and the need for change. Each apology is in itself insufficient — an expected failure that carries the hope of an eventual win and the possibility of mutual transformation. Failure is not the ability to reach a certain goal but an opportunity to look at utopia from the other side.
The ceramic wall-hanging pieces are reflections, future-looking, and part of the apologies. Using a technique she pioneered, Becs laser-engraved through layers of underglaze to subtractively paint imagery. While some of these pieces may initially appear two-dimensional, the addition of embossing the greenware beneath the underglaze in select works adds an extra layer of dimensionality, inviting viewers to explore the depths of those particular compositions.



Becs Epstein is a transdisciplinary artist whose work explores human-plant relationships through sculpture, ceramics, and performance. Her work has been exhibited internationally and across the United States, including venues such as Links Hall (Chicago), August Wilson Center (Pittsburgh), Legend Galleries (Philadelphia), Elbow Room Gallery (New York City), and Manifestos of Systematic Change (New Zealand). Becs has undertaken residencies at Barim in South Korea, Stomping Ground in New York, and NARS Governors Island Satellite Residency in New York City. She received an Arts, Science + Culture Initiative Graduate Collaboration Grant from the University of Chicago and the School of the Art Institute of Chicago for the publication of a book. Becs holds a BFA in Contextual Practice and Sculptural Installation from Carnegie Mellon University and an MFA from the School of the Art Institute of Chicago. She squiggles into tight spots of toxicity and feeling with the non-human.