October 24 – December 16, 2022 | Geoffrey A. Wolpert Gallery
Whether gentle or destructive, wind has the power to create change.
Windsocks, whirligigs, and weathervanes were once vital sources of information, measuring wind direction and speed. Now these formerly functional objects accumulate in antique malls and roadside souvenir shops, their utility relinquished for kitsch and nostalgic value. While these adornments are steeped in history and collective meaning, they are also outward expressions of an individual’s relationship to our past. Domestic scenes, normally relegated to interior spaces, are translated through weatherproof materials like steel and wood and projected outwards into public viewing spaces. The front yard becomes a gallery where the nuances of regional and personal identity are expressed through layers of symbols.
In Prevailing Winds, Kaleena Stasiak continues her exploration into the performative reproduction of formerly functional objects as a method for interpreting history and re-envisioning the future. In a moment of disillusionment with institutional knowledge, by hearkening back to human rituals of survival, these weather predictors point to the cyclical nature of time, and offer hope for the future. For Stasiak, making becomes an act of historical role playing as she invokes the generations of makers who came before her, and translates these objects for a contemporary art context.
Kaleena Stasiak is an interdisciplinary artist who uses an assortment of haptic media to explore collective mythmaking, and its relevance to the present day. Digging through a lexicon of symbols and imagery evoking American colonial times, folk art, and quilts, she reframes the dominant ideologies surrounding early history and domestic labor. Her graphic cyphers denote the power and breadth of traditional women’s work, functional handicraft, and the impulse to create. Decoration and ornamentation become expressions of desire, signifiers of identity, and autobiographical documentation of lives omitted from text-based historical narratives and artistic discourse.
Originally from Ontario, Canada, Stasiak holds a BFA in Printmaking from the Ontario College of Art and Design and an MFA in Printmaking & Book Arts from the University of Georgia. Recent shows include Tournament of Lies at Wassaic Project in Wassaic, NY, Ancient Art Objects at Whitespace in Atlanta, GA, and Identity Measures at the Contemporary Art Center in New Orleans, LA. In 2017 Stasiak founded the South East Women Wrestlers, a performance troupe based in Athens, GA, that uses the spectacle of wrestling to reframe stereotypes and representations of femininity. She currently teaches Printmaking & Foundations at Valdosta State University in Valdosta, Georgia.
