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Beth Ross Johnson

Weaving Efficiency: Jump Start or Ramp Up Your Skills

June 21 - 26, 2026
Open to All Skill Levels
Weaving, Fibers

Overview

In this workshop students will learn more efficient ways to prepare and weave on a floor loom. Students who are just starting out will get a comprehensive "jump start," while intermediate and advanced weavers can "ramp up" by addressing bottlenecks in their process. Students will gain practical skills in winding a warp with multiple threads, beaming on without tangles, and effectively tracking threading and treadling patterns. Students will be encouraged to warp their looms at least twice with simple projects to go through the complete process. By the end of the week, students will leave with greater confidence and efficiency to pick up that shuttle again.

Course Fee : $760.00
Download The Materials List

Scholarships & Material Fees

Need help covering workshop costs? Arrowmont offers financial aid opportunities to broaden access to our arts and craft programs. We believe a diverse community enriches the learning experience for all.

Material fees are not included in our national workshop costs, but are included with the cost of our winter short workshops. A material list with estimated costs will be emailed about 30 days before the national workshop begins.

Cost Breakdown

Registration Fee
$50.00
One Week Workshop Tuition
$760.00
Estimated Cost*
*Fees exclude housing and meal plans
$810.00
VIEW HOUSING & MEAL PLAN COSTS
Beth Ross Johnson
Artist Bio
Beth Ross Johnson
Beth Ross Johnson is a weaver, teacher, and workshop leader living in Black Mountain, North Carolina, whose passion for textiles began in her native Charleston, South Carolina. She started her craft learning from students of Norman Kennedy before studying extensively with him. A lifelong fascination with Asian art led to a deep dive into Japanese textiles, including two extensive stays in Japan to study kasuri (ikat weaving and dyeing) and sakiori (rag weaving) with master weavers. Her explorations also include sashiko stitching and nyoho-e (Zen stitching), and more recently, the ikat traditions of Europe and woven structures like sashiko-ori and kasuri-ori that mimic hand stitching and ikat processes. Johnson regularly writes for national and international weaving magazines and is the co-author of the forthcoming book, Sashiko-ori: Drafts and Design for Woven Sashiko.
Artist Website
Artist Website